Elorgarreg in north Wales, seems to take its name from a particular geological feature of the surrounding landscape: a large stone (garreg) that once served as a brief, resting stop for coffins (elor) transported by foot to the chapel in the nearby village of Cerrigydrudion. Lying somewhere between truth and… Read more »
The enormous Boathouse 4 of the Portsmouth Historic Dockyard has housed many stories. Built in 1939, it met the need for rapid rearmament prior to the start of World War II. Yet since the end of the war, the Portsmouth Dockyard was marked by a steep decline in employees resulting… Read more »
Somewhere near the edge of Wales, in the Llŷn Peninsula, two gateposts stand in a nameless field. For playwright Kevin Dyer, these posts become the locus of a number of stories that interweave the lives of the local fictional community with the slow rhythms of an ever-present landscape.
In comics, when do landscapes change from setting to subject? Usually thought of as the backdrop to the unfolding of events, the landscape often plays a deeper role. In this article, semiologist Daniele Barbieri recounts some moments found within the history of comics in which the landscape becomes an important… Read more »
In Italy, the North East holds a strong place in the collective imaginary. As part of the country’s economic engine, it is an area of factories, family-run businesses, hangers and warehouses, interrupted only by the towns scattered around the land. Yet, the North East has a lesser-known image: that of… Read more »