About Anima Loci
Anima Loci is a visual culture journal focused on an interdisciplinary exploration of the relationship between images and the places they inhabit.
The journal hosts short articles and photoessays by academics and practitioners from a variety of disciplines.
As anthropologist Keith Basso wrote, ‘we are, in a sense, the place-worlds we imagine’.1
The way in which a place is perceived, remembered and interpreted, either individually or socially, represents a mental and emotional landscape that can inform and affect personal and collective historical knowledge, behaviour and identity.
This process of ‘place-making’ is often mediated by images, that act as elicitors for perception and memory. Images are here intended both as physical as well as mental phenomena: a face in a rock, holy icons, new or forgotten architecture, intentional or accidental monuments, to name some examples. Images can also refer to those that have come to represent transforming areas or neighbourhoods. They can refer to spaces that, through the echoes of historic events, have crystallised into images within the social imaginary. Images are therefore understood not simply as artefacts in the external world, but as vital processes that occupy our bodies as their ‘living medium’.2
Anima Loci explores the potential of images that lie in this intermediary zone and the multifaceted ways in which they affect the perception of a place by providing ground for the workings of personal or collective memory, meaning and imagination.
Fields of Interest
Visual Anthropology, Art History, Architecture, Visual Culture, Aesthetics, Urban Archaeology, Research Architecture, Cultural Studies, Sociology, Ethnography, Philosophy, History, Photography, Art Writing, Critical Geography, Psychogeography.
 Basso, Keith. H. (1996). Wisdom Sits in Places. Landscapes and Language among the Western Apache. Albuquerque: University of New Mexico Press. p.7
 Belting, Hans. (2014). An Anthropology of Images. Picture, Medium, Body. Princeton NJ & Oxford: Princeton University Press. p.5
The archetype of the American cowboy that is infused in western popular culture is perhaps embodied by Clint Eastwood in The Good, the Bad and the Ugly. Yet, this simple image conceals a multifaceted history that spans cultures, geographies, genders and identities. Artist and researcher, Brandon Sward, muses over the… Read more »
In 1964, British engineer Rod Rhys Jones set off to Antartica to conduct work for the British Antarctic Survey. Fifty years later, he found himself back there installing a monument to commemorate those who lost their lives in the pursuit of science within this harsh environment, including three of his… Read more »
Why look at animals? This question, famously posed by John Berger’s 1977 essay, maintains its relevance today. In this contribution, photographer Dario Li Gioi considers Berger’s question to reflect upon the shooting of a project entitled “The Hidden Zoo”, dedicated to the exploration of Rome’s bio-park. Here, photography becomes the… Read more »