Amedeo Policante

Amedeo Policante is a critical theorist and historian of political thought. He holds a PhD from Goldsmiths College, University of London and is currently a Postdoctoral Research Fellow at the University of Warwick. He is the author of two recent monographs: I Nuovi Mercenari: Mercato Mondiale e Privatizzazione della Guerra (Ombre Corte, 2014) investigating the on-going commodification of security and the resulting fragmentation of social space both at the global and at the urban level; and The Pirate Myth: Genealogies of an Imperial Concept (Routledge, 2016) focusing on shifting representations of piracy in legal, literary and popular culture, and the role they have played in international politics since the eighteenth century. He has also published several articles and book chapters on the political thought of Karl Marx, Carl Schmitt and Michel Foucault; as well as  an ethnography of political protests and their visual representation. These works have been disseminating via traditional means such as academic journals, magazines and newspapers; and alternative means such as ‘The Pirate Camp’, a collaborative artistic project featured at the 54th International Art Exhibition of the Venice Biennale.

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Recent articles

The archetype of the American cowboy that is infused in western popular culture is perhaps embodied by Clint Eastwood in The Good, the Bad and the Ugly. Yet, this simple image conceals a multifaceted history that spans cultures, geographies, genders and identities. Artist and researcher, Brandon Sward, muses over the… Read more »

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Rod Rhys Jones Anima Loci

In 1964, British engineer Rod Rhys Jones set off to Antartica to conduct work for the British Antarctic Survey. Fifty years later, he found himself back there installing a monument to commemorate those who lost their lives in the pursuit of science within this harsh environment, including three of his… Read more »

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Why look at animals? This question, famously posed by John Berger’s 1977 essay, maintains its relevance today. In this contribution, photographer Dario Li Gioi considers Berger’s question to reflect upon the shooting of a project entitled “The Hidden Zoo”, dedicated to the exploration of Rome’s bio-park. Here, photography becomes the… Read more »

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