Alex Wilk works as an independent researcher and has professional experience in arts publishing. She is currently an editorial assistant at the photography and visual culture journal Archivo Platform. She also works as a research assistant for the curator Hans Ulrich Obrist and previously for the designer Cecil Balmond. Alex was an editor of Balmond Studio’s e-journal Thinking in Practice and led the production of Balmond’s book Crossover (Prestel, 2013). Alex’s research takes visual and textual formats: she has taken part in art residency programmes, exhibitions and has published articles. Underpinning her interests is an exploration of the cultural construction of nature, voice and the subject from posthumanist and feminist perspectives. Alex holds an MA in Cultural Studies from Goldsmiths, University of London.View all board members
In 2019, the collapse of the Córrego do Feijão dam in Minas Gerais, Brazil, released a mudflow that left environmental and humanitarian devastation in its wake. Two years later, artists Bárbara Lissa and Maria Vaz returned to the zone to document the aftermath. In this text, they consider the limitations… Read more »
Mundus Subterraneus, published in 1664, is the final result of German Jesuit scholar Athanasius Kircher’s geological investigations. Here we publish an extract from the chapter, De Lapidibus, in which Kircher muses on the cognitive phenomenon which will be later known as pareidolia – seeing faces and figures within natural formations, in… Read more »
Glimpses of images, by nature marked by constraints and boundaries: the time and space that you might capture during apnea diving. In this photo-essay, Gianluca Tesauro reflects on his own experience as a freediver and on the idea that, as humans, there will always be something that we cannot access.